It takes a lot of confidence to be this ridiculous.
“I would say for now, the Zeitgeist is pushing me to write and create. The current mood of my generation is one of unrest and desire for change. I strongly believe the revolution is ours. So I write poetry that explores things like abandonment and absent fathers, racism and white supremacy, shadeism, Islamophobia, Jihad, corrupt political systems, betrayal, but also sisterhood, Feminism, and love.
My latest poem is called ‘Elephant’. On the surface, you could say it’s about racism. The ‘elephant’ is a very bitter, lost, sad, frightened white man who now hates all people of colour. You get small insights into the potential reasons why he is like this. He has also suffered and he is a victim of capitalism and failed democracy. He has been failed too. This man embodies all the things I’ve read, conversations I’ve had, tweets I’ve seen, and Facebook posts I’ve scoffed at. There really are people who will argue that ‘Africans have nothing to be proud of’ and that ‘White people built the modern world and this is a white man’s world’ and the rest of us are just living in it, despite the fact that non-white folk are the world’s global majority. The global South if you will.
“The poem is also about hypocrisy and contradictions – something we are all guilty of. But the effects of all these negative things live forever within us and we do remember, just like elephants. The memory of an elephant is imperative to its survival so it can’t afford to forget about those who have killed its mother or its children. I find my environment inspires me. I also have some very talented people in my circles who I really respect so keeping a close eye on them encourages me to always bring my A game and make sure my shit is tight. I want to be respected by my peers for the work I put in and the stuff I put out there. I’m not afraid to admit that.”